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Read preview. Synopsis Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a detheologized reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet.
Southern, R. Western Society and the Church in the Middle Ages. Harmondsworth, Middlesex: Penguin, Studies on Dante Auerbach, Erich.
Dante, Poet of the Secular World. Ralph Manheim.
John C. Dublin: Irish Academic Press, Barbi, Michele.
People | Teodolinda Barolini | The Heyman Center for the Humanities at Columbia University
Life of Dante. Paul Ruggiers. Berkeley: University of California Press, Barolini, Teodolinda. Dante and the Origins of Italian Literary Culture. New York: Fordham University Press, The Undivine Comedy: Detheologizing Dante.
Barolini, Teodolinda, and H. Wayne Storey, eds. Dante for the New Millenium.
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Bemrose, Stephen. A New Life of Dante.
Exeter: University of Exeter Press, Botterill, Steven. Brownlee, Kevin. Cornish, Alison. Dronke, Peter. Dante and Medieval Latin Traditions. Durling, Robert M. Ferrante, Joan. Foster, Kenelm. The Two Dantes and Other Studies.
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Freccero, John. Dante and the Poetics of Conversion. Rachel Jacoff.
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A Journal of Medieval Studies
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